The Costumer's Manifesto - Revision history

Andrew at 02:09, 18 June 2013

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Andrew: /* Pages */

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‎Pages

Andrew: /* The Costumer's Manifesto Wiki TheCostumersManifesto.com */

Andrew — Fri, 31 May 2013 01:02:07 GMT

‎The Costumer's Manifesto Wiki TheCostumersManifesto.com

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46.105.77.191: /* Wiki TheCostumersManifesto.com */

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‎Wiki TheCostumersManifesto.com

122.176.14.214 at 06:57, 22 April 2013

122.176.14.214 — Mon, 22 Apr 2013 06:57:28 GMT

@@ Line 7: / Line 7: @@
 <center>''You may print out any of these pages for any use such as school papers, teacher handouts, newsletter content, blogs or wall displays.  You may link to any page in this site.''
 </center>
 =='''Pages'''==

@@ Line 34: / Line 34: @@
 [[scratchpad]]
-[http://www.andrewkahn.me/manifesto/ ORIGINAL SITE in HTML FORMAT]
+[http://www.costumes.org ORIGINAL SITE in HTML FORMAT]
 =='''The Costumer's Manifesto: (A statement of Purpose and Ethics for Costumers)'''==

← Older revision		Revision as of 01:02, 31 May 2013
Line 3:		Line 3:


−	''Founded by [[Tara Maginnis]] from 1996 - 2013. Now flying free as a Wiki for all to edit and contribute under a [[Creative Commons Licence]]!''</center>	+	''Founded by [[Tara Maginnis]] from 1996 - 2013, administered by [[Andrew Kahn]]. Now flying free as a Wiki for all to edit and contribute under a [[Creative Commons Licence]]!''</center>

	<center>''You may print out any of these pages for any use such as school papers, teacher handouts, newsletter content, blogs or wall displays. You may link to any page in this site.''		<center>''You may print out any of these pages for any use such as school papers, teacher handouts, newsletter content, blogs or wall displays. You may link to any page in this site.''

@@ Line 1: / Line 1: @@
-. [http://mopac.cadaster.eu/show_user.php?userid=1628 blogg] [http://desktopgrid.hiast.edu.sy/hiastdg/show_user.php?userid=62 läs mer här] Designers, therefore, need to communicate the shows design to all the other costumers involved in the process as clearly as possible, so that when design decisions are made at any level of the process, from buttons to butt padding, they reflect the needs of the show or film as a whole.
+<center>
-'''VII.''' I assist the Audience in understanding the story and charactersIn performances where spectacle is required, I make the costumes astonish and entertain, but when the audience should be more aware of the other elements of the performance, I will try to make the costumes recede to the background, without personal vanity.
+''Founded by [[Tara Maginnis]] from 1996 - 2013. Now flying free as a Wiki for all to edit and contribute under a [[Creative Commons Licence]]!''</center>
-'''VIII.''' I study the history of fashion and dress, no matter what my position in a costume studio, so that I can better replicate the styles of clothing of the past when neededHowever, I will remember to avoid mindlessly copying old fashion plates, but instead keep in mind the key elements of character and concept, and select or adapt those fashions to suit the individual production.
+=='''Pages'''==
-'''IX.''' I am aware that my work consists primarily of adapting and reinventing pre-existing styles to do a functional purpose: cover a bodyI know then that what I build is not legally subject to copyright law, and I will not winge and whine if another designer is, in turn, inspired to reuse elements, even a majority of those elements, from one of my designs in their workI will accept this as flattery if anyone does so.
+[[Jewelry]]
-'''X.''' Costuming is a fun profession, and I endeavor at all times to keep it that way by remembering the feelings of all my collaboratorsAt no time should actors feel their bodies are being criticized in a fitting, nor should a student, worker or volunteer be treated as slave labor, nor should a director or another designer be bullied into an unwanted design decisionA desire for excellence is good, but the desire should never be pursued to any degree that ignores labor law, common courtesy or civilized collaboration.
+[[Men With Big Hair: The Costume Movie Site]]
 -----
 Tara Maginnis, 8/18/2002

@@ Line 1: / Line 1: @@
-=='''Pages'''==
+. [http://mopac.cadaster.eu/show_user.php?userid=1628 blogg] [http://desktopgrid.hiast.edu.sy/hiastdg/show_user.php?userid=62 läs mer här] Designers, therefore, need to communicate the shows design to all the other costumers involved in the process as clearly as possible, so that when design decisions are made at any level of the process, from buttons to butt padding, they reflect the needs of the show or film as a whole.
-−
-[[History by Era]]
-−
-[[Jewelry]]
-−
-[[Makeup]]
-−
-[[Men With Big Hair: The Costume Movie Site]]
-−
-[[Costume Accessories Links|Accessories]]
-−
-[[Mask and Makeup Links at The Costumer's Manifesto|Masks and Makeup]] -- ''merge into makeup section''
-−
-[[Militaryuniforms|Military Uniforms]]
-−
-[[Religious costume|Religious Costumes]]
-−
-[[General Theatre Books and Videos]]
-−
-[[Galleries]]
-[[19th Century Fans photographed by Tara Maginnis]]
-−
-−
-[[scratchpad]]
-−
-[http://www.costumes.org ORIGINAL SITE in HTML FORMAT]
-−
-=='''The Costumer's Manifesto: (A statement of Purpose and Ethics for Costumers)'''==
-−
-''"I am a Costumer, I make clothes for imaginary people." ---Celestine Ranney, 1982''
-−
-−
-'''I.''' When I costume, I am not a fashion designer nor a clothing manufacturer, but a builder of character, concept, and physical movement.
-−
-−
-'''II.''' I, above all, work with Actors: I help them build their character from without, even as they build it from withinI do not complain about the shape of their bodiesI create the shape we need, and/or build a visual representation of the character that suits the existing bodyI am aware of their movement needs and I facilitate them.
-−
-−
-'''III.''' I work under the guidance of Directors: I help them visually represent their conceptual ideas in physical formI create clothes for the inhabitants of the world they envision.
-−
-−
-'''IV.''' I am inspired by the words of Playwrights and Scriptwriters: I try to bring alive the script by transforming the words of the text into visual metaphorsWords, especially poetry in the text, need a visual equivalent that supports the mood of the script without distracting from it.
-−
-−
-'''V.''' I collaborate with the other Designers, seeking to bring our collective vision together so it works in harmony. [http://desktopgrid.hiast.edu.sy/hiastdg/show_user.php?userid=62 läs mer här] Designers, therefore, need to communicate the shows design to all the other costumers involved in the process as clearly as possible, so that when design decisions are made at any level of the process, from buttons to butt padding, they reflect the needs of the show or film as a whole.

@@ Line 35: / Line 35: @@
-'''II.''' I, above all, work with Actors: I help them build their character from without, even as they build it from within. I do not complain about the shape of their bodies. I create the shape we need, and/or build a visual representation of the character that suits the existing body. I am aware of their movement needs and I facilitate them.
+'''II.''' I, above all, work with Actors: I help them build their character from without, even as they build it from withinI do not complain about the shape of their bodiesI create the shape we need, and/or build a visual representation of the character that suits the existing bodyI am aware of their movement needs and I facilitate them.
-'''III.''' I work under the guidance of Directors: I help them visually represent their conceptual ideas in physical form. I create clothes for the inhabitants of the world they envision.
+'''III.''' I work under the guidance of Directors: I help them visually represent their conceptual ideas in physical formI create clothes for the inhabitants of the world they envision.
-'''IV.''' I am inspired by the words of Playwrights and Scriptwriters: I try to bring alive the script by transforming the words of the text into visual metaphors. Words, especially poetry in the text, need a visual equivalent that supports the mood of the script without distracting from it.
+'''IV.''' I am inspired by the words of Playwrights and Scriptwriters: I try to bring alive the script by transforming the words of the text into visual metaphorsWords, especially poetry in the text, need a visual equivalent that supports the mood of the script without distracting from it.
-'''V.''' I collaborate with the other Designers, seeking to bring our collective vision together so it works in harmony. Costumes do not exist in a vacuum, but on a set, among properties and furniture, sound, and light, as part of a consistent visual representation of an invented world.
+'''V.''' I collaborate with the other Designers, seeking to bring our collective vision together so it works in harmony. [http://desktopgrid.hiast.edu.sy/hiastdg/show_user.php?userid=62 läs mer här] Designers, therefore, need to communicate the shows design to all the other costumers involved in the process as clearly as possible, so that when design decisions are made at any level of the process, from buttons to butt padding, they reflect the needs of the show or film as a whole.
-'''VI.''' Whether I am in the position of stitcher, cutter, dyer, crafts worker or designer, I remember that what I am doing is contributing to the greater whole of the production, and must be done with an aesthetic sense in keeping with the performance, not merely my own whims. Designers, therefore, need to communicate the shows design to all the other costumers involved in the process as clearly as possible, so that when design decisions are made at any level of the process, from buttons to butt padding, they reflect the needs of the show or film as a whole.
+'''VII.''' I assist the Audience in understanding the story and charactersIn performances where spectacle is required, I make the costumes astonish and entertain, but when the audience should be more aware of the other elements of the performance, I will try to make the costumes recede to the background, without personal vanity.
-'''VII.''' I assist the Audience in understanding the story and characters. In performances where spectacle is required, I make the costumes astonish and entertain, but when the audience should be more aware of the other elements of the performance, I will try to make the costumes recede to the background, without personal vanity.
+'''VIII.''' I study the history of fashion and dress, no matter what my position in a costume studio, so that I can better replicate the styles of clothing of the past when neededHowever, I will remember to avoid mindlessly copying old fashion plates, but instead keep in mind the key elements of character and concept, and select or adapt those fashions to suit the individual production.
-'''VIII.''' I study the history of fashion and dress, no matter what my position in a costume studio, so that I can better replicate the styles of clothing of the past when needed. However, I will remember to avoid mindlessly copying old fashion plates, but instead keep in mind the key elements of character and concept, and select or adapt those fashions to suit the individual production.
+'''IX.''' I am aware that my work consists primarily of adapting and reinventing pre-existing styles to do a functional purpose: cover a bodyI know then that what I build is not legally subject to copyright law, and I will not winge and whine if another designer is, in turn, inspired to reuse elements, even a majority of those elements, from one of my designs in their workI will accept this as flattery if anyone does so.
-'''IX.''' I am aware that my work consists primarily of adapting and reinventing pre-existing styles to do a functional purpose: cover a body. I know then that what I build is not legally subject to copyright law, and I will not winge and whine if another designer is, in turn, inspired to reuse elements, even a majority of those elements, from one of my designs in their work. I will accept this as flattery if anyone does so.
+'''X.''' Costuming is a fun profession, and I endeavor at all times to keep it that way by remembering the feelings of all my collaboratorsAt no time should actors feel their bodies are being criticized in a fitting, nor should a student, worker or volunteer be treated as slave labor, nor should a director or another designer be bullied into an unwanted design decisionA desire for excellence is good, but the desire should never be pursued to any degree that ignores labor law, common courtesy or civilized collaboration.
-−
-−
-'''X.''' Costuming is a fun profession, and I endeavor at all times to keep it that way by remembering the feelings of all my collaborators. At no time should actors feel their bodies are being criticized in a fitting, nor should a student, worker or volunteer be treated as slave labor, nor should a director or another designer be bullied into an unwanted design decision. A desire for excellence is good, but the desire should never be pursued to any degree that ignores labor law, common courtesy or civilized collaboration.
 -----
 Tara Maginnis, 8/18/2002

← Older revision		Revision as of 16:46, 25 April 2013
Line 1:		Line 1:
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	=='''Pages'''==		=='''Pages'''==

@@ Line 3: / Line 3: @@
 [[File:2008headshotTinyweb.jpg|center|250]]
-=='''Wiki [[Main Page|TheCostumersManifesto.com]]'''==
+ Replica Oakley Store coming out
+I ran
+ above the roofs and Oakley Cheap Replica Sunglasses Fake trees, and Oakley Cheap Replica Sunglasses Fake somewhere in illimitable space blended, and Oakley Cheap Replica Sunglasses Fake slowly reached the meeting-point of sound and Oakley Cheap Replica Sunglasses Fake silence-- that Cheap Replica Oakley Sunglas. [http://www.cheapoakleysvault.com Replica Oakleys] ses Sale Heart where Life, leaving its little forms and Oakley Cheap Replica Sunglasses Fake barriers, clasps Death, and Oakley Cheap Replica Sunglasses Fake from that Cheap Replica Oakley Sunglasses Sale clasp springs forth new-formed, within. [http://www.cheapoakleysvault.com Cheap Oakley Sunglasses]  new barriers.
-''Founded by [[Tara Maginnis]] from 1996 - 2013. Now flying free as a Wiki for all to edit and contribute under a [[Creative Commons Licence]]!''</center>
+Above this Knockoff Oakleys Sunglasses cheap crowd of his fellow-creatures, Stephen drove, and Oakley Cheap Replica Sunglasses Fake the same Spring wind which had made the elm-trees talk, whispered to him, and Oakley Che. [http://www.cheapoakleysvault.com Knockoff Oakley sunglasses] eap Replica Sunglasses Fake tried to tell him of the million flowers it had fertilised, the million leaves uncurled, the million ripples it had awakened on the sea, of the million flying shadows flung by it across the Downs, and Oak. [http://www.fakeoakleys-replicas.com Fake Oakleys] ley Cheap Replica Sunglasses Fake how into men's hearts its scent had driven a million longings and Oakley Cheap Replica Sunglasses Fake sweet pains.
+It was but moderately successful, for Stephen, like all men of culture and Oakley Cheap Repl. [http://www.fakeoakleys-replicas.com Discount Oakleys] ica Sunglasses Fake neat habits, took Nature only at those moments when he had gone out to take her, and Oakley Cheap Replica Sunglasses Fake of her wild heart he had a secret fear.
-<center>''You may print out any of these pages for any use such as school papers, teacher handouts, newsletter content, blogs or wall displays.  You may link to any page in this site.''
+On his own doorstep he encountered Hilary coming out.
-</center>
+"I ran across Thyme and Oakley Cheap Replica Sunglasses Fake Martin in the Gardens," the latter said. "Thyme brought me back to lunch, and Oakley Cheap Replica Sunglasses Fake here I've been ever since."
 =='''Pages'''==

← Older revision		Revision as of 06:57, 22 April 2013
Line 3:		Line 3:
	[[File:2008headshotTinyweb.jpg\|center\|250]]		[[File:2008headshotTinyweb.jpg\|center\|250]]

−	=='''~~The Costumer's Manifesto~~ Wiki [[Main Page\|TheCostumersManifesto.com]]'''==	+	=='''Wiki [[Main Page\|TheCostumersManifesto.com]]'''==