COSTUMES.ORG -- THE COSTUMER'S MANIFESTO WIKI

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The Costumer's Manifesto: A History of British Fashion & Decor Study in London:

A History of British Fashion & Decor

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Court Dress worn by Princess Caroline, Early 19th Century, Museum of London

[This page is purely an example of the kind of web pages I will be making for recruitment if I am selected to teach in the NCSA London program. This is just part of the application I am making to NCSA, and not yet a real class. To learn more about the existing AHA study programs around the world, including the NCSA London program, click

[1]

Instructor: Tara Maginnis, Ph.D., and Professor of Theatre, University of Alaska Fairbanks

Course Description: A survey of British costume and décor, as experienced through the actual objects and architecture found in museums and historic structures.Students will learn to identify the styles of the major periods in British design, with particular emphasis on surviving examples of clothing and jewelry.

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18th Century Chatelaines in the Museum of London

Course objective: Enable students to be able to readily identify costume and décor items (that they have not seen previously) by period and style.

Weekly Schedule

Week 1: Introduction to course.Slide show on artifacts of Celtic Britain and walk to the

Museum to see Ancient jewelry and decorative arts.Read

[2] pgs. 8-39 and make Fimo item based on B.M. object.

Course readings/texts

File:H.t Styles, John and Snodin, Michael,

and the Decorative Arts : Britain 1500-1900 London, V&A Museum, 2001.

Dupouy, Cris, , New York: Harry N. Abrams, 2001

Recommended advance readings

File:H.tLeapman, Michael, and Scott, Mary (eds.)

Travel Guide to London London, DK Adult, 2003 (any edition is OK)

Other Books of interest:

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(V&A Costume Collection)

Week 2: Slide show on artifacts of Roman Britain and trip to the

of London.Read

[3] pgs. 40-75 and make Fimo item based on Museum of London object.

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Westminster Abbey

Week 3: Slide show on medieval decorative art & costume and trip to

Abbey. Read

[4] pgs. 76-115 and make Fimo item based on medieval object.

Week 4: Slide show on Tudor decorative art & costume and trip to

and Albert Museum. Read

[5] pgs. 3-63, and make Fimo item based on Tudor object.

Week 5: Slide show on Elizabethan decorative art & costume and trip to

[6]. Read

[7], pgs 116-153, and make Fimo item based on Elizabethan object.

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Costume designed for Jane Lapotaire as Elizabeth I for the Royal Gala Opening of Shakespeare's Globe Theatre June 12 1997

Week 6: Midterm, Slide show on Stuart decorative art & costume and short trip to

Hall, Whitehall. Read

[8], pgs. 64-119, and make Fimo item based on Stuart object.

Week 7: Slide show on Early Georgian decorative art & costume and trip to

Palace. Read

[9], pgs. 120-185, and make Fimo item based on Georgian object.

Week 8: Slide show on Late Georgian decorative art & costume and trip to

and Albert Museum. Read

[10], pgs. 186-247, and make Fimo item based on Georgian object.

Week 9: Slide show on Early Victorian decorative art & costume and trip to

Britain Gallery. Read

[11], pgs. 248-307, and make Fimo item based on Victorian object.

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A Victorian cast-iron gate in South Kensington

Week 10: Slide show on Late Victorian decorative art & costume and trip to

and Albert MuseumRead

[12], pgs. 308-367, and make Fimo item based on Victorian object.

Week 11: Read Styles, pgs. 368-459.Final exam, followed by trip to the new

and Textile Museum (specializing in more recent British design).

Instructional methodology: Students will be expected to complete a sketchbook with notes on all eras covered (may be combined with other class journals, a Blog, etc), as well as 10 finished small 3-D replication projects with Fimo (copies/adaptations of things like jewelry, chess pieces, sword hilts, miniatures of sculptures, etc). Students are encouraged to make rough sketches or photos of the item to be reproduced in Fimo for reference.Midterm and final style identification exams will consist of watching a series of slides of unfamiliar objects that students may briefly identify by period, style, or artist.

Method of evaluation/grading

Sketchbook with notes on all eras covered (may be combined with other class journals, a Blog, etc) 35% of grade

Small 3-D replication projects (weekly) with Fimo 35% of grade

Midterm style identification exam (with slides) 15% of grade

Final style identification exam (with slides) 15% of grade

Proposed Class Excursions

[13]

Museum Of Costumes, Assembly Rooms,

Baths, 18th Century Pump Room, Cathedral, etc.One of the largest historical costume collections in the world, and pretty well essential for the study of English costume.The central part of the city of Bath, is a perfectly preserved time-travel sort of experience, where nearly every bit of architecture for blocks is unchanged from the late 18th century neoclassical period.The Baths themselves are the best-preserved Roman era ruins in England.

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Vanda22002-06-15Vanda2_059Roman era stone carving and Roman Baths in Bath

Hall Doe Lea, Chesterfield, Derbyshire, S44 5QJ, a 16th Century private palace built for Bess of Hardwick, and virtually unchanged since her time.Contains the largest collection of 16th & 17th Century British textiles, most originally made in, and for, the house.A perfect bubble in time.

[14] (18th Century country house & garden) in Broadclyst, Exeter, Devon, EX5 3LE.Contains the “Paulise de Bush Costume Collection”


Hall (18th Century country house and garden) near Leominster, Herefordshire, HR6 0DW.Contains the “Wade Costume Collection” of 18th Century garments made famous by Janet Arnold’s book, Patterns of Fashion 1

In addition to these excursions, I wish to arrange for students to meet for class in a number of places in London, including:

oSeveral trips to the

and Albert Museum (Great collection of costume and decorative arts)

o

[15]The Museum of London (ditto)

o

British Museum (historic jewelry)

o

[16]Westminster Abbey (Gothic architectural ornament)

o

Theatre (interesting Renaissance reconstruction & costume exhibit)

o

Palace (Late Stuart and early Georgian architecture, sections with Victorian décor, costume collection)

o

Hall, Whitehall (Inigo Jones building)

o

Britain (Victorian Realism, Renaissance portraits)

o

and Textile Museum (20th Century fashion)

Back to main page


Class #1: A History of British Fashion & Decor


Class #2: British Theatre Practice from the Romans to the Present

1999uktourDisk32Mvc-009f.jpg About instructor,

Tara Maginnis

About

Program

Costume Travel Page

Product Links

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Your Own Antique Jewelry: Taking Inspiration from Great Museums Around the World

Treasures : The Hardwick Hall Textiles

Four Hundred Years of Fashion Four Hundred Years of Fashion

Historical Fashion in Detail: the 17th and 18th Centuries Historical Fashion in Detail: the 17th and 18th Centuries

Jewels and Jewelry Jewels and Jewelry

The Art of Dress : Clothes and Society, 1500-1914 The Art of Dress : Clothes and Society, 1500-1914

Patterns of Fashion 1: Englishwoman's Dresses and Their Construction: c.1660-1860 Patterns of Fashion 1: Englishwoman's Dresses and Their Construction: c.1660-1860

"The Costumer's Manifesto"
by Tara Maginnis