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Difference between pages "File:ZombiesImages2009 1029dvc0279.jpg" and "All About The Turn of the (20th) Century Detachable (Men's) Collars (With lots of photos) by Tara Maginnis"

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TURN-OF-THE-CENTURY DETACHABLE COLLARS by Tara Maginnis
  
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Collecting vintage clothing can be an expensive habit, and storing, restoring and moving a collection of vintage clothing can take an inordinate amount of space, time and cash. However, there is one type of antique clothing that still takes only about a dollar or two to buy, rarely is in need of conservation work, and can be safely stored in a cookie tin. I refer of course to the detachable"hard" collars mass produced in the late Nineteenth and early Twentieth centuries.
 +
 +
[[File:1900sHardcollars13595_06.jpg|frameless|border]]My Men's collar collection stored in a cookie tin
 +
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The detachable collar was first invented in 1827 at#139 3rd Street, Troy, NY, by Mrs. Hannah Lord Montague (1794-1878), a housewife who was having difficulties with her husband's "ring-around-the-collar." Her husband,Orlando Montague, showed-off his wife's invention to the guys around town, and soon all the wives of Troy embraced this new invention. Soon after, merchants followed suit, and manufactured collars in mass quantities for sale to the outside world.
 +
 +
==Woodsheds==
 +
 +
, garrets and store fronts became collar making places as teachers, farmers, carpenters, butchers and ironmongers were drawn to this new trade by its apparent simplicity: a table, a pair of scissors, a bolt of cloth and a spool of cotton was all that was necessary.
 +
 +
[[File:1900sHardcollars70982_11.jpg|frameless|border]]''
 +
 +
[[File:1900sHardcollars70982_12.jpg|frameless|border]] Two views of an early separate collar(probably c.1850), with the closure in the back. This collar, although machine sewn,is only two thin layers of lawn, and could not have have held enough starch to be as stiff as late 19th & Early 20th Century models.
 +
 +
[[File:CollarpatternsPdfOlddfashioned.pdf|frameless|border|PDFPattern of this collar]]''
 +
 +
Troy, New York, became "Collar City" to the rest of America, and went from a sleepy little upstate town to the center of American shirt and collar manufacturing.
 +
 +
[[File:1900sHardcollars13595_03.jpg|frameless|border]] 2 hard cuff sets
 +
 +
By 1897, twenty-five manufacturers in Troy were producing a total of eight million dozen collars and cuffs a year. Linen collars were offered in a breathtaking variety of styles and had become the status-symbol of the growing office-worker class (ie. "white collar" workers). Mail order catalogs like Sears-Roebuck, Montgomery-Ward, and Bloomingdale's sent detachable collars to every part of America, along with the often colorful collarless shirts with which they were worn. By the Turn-of-the-Century, nearly every man in America had his neck in the vise-like grip of a iron-hard starched linen detachable collar.
 +
 +
'''
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[[File:1900sHardcollars13595_02.jpg|frameless|border]] Fold collars '''
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[[File:1910sRandombitsPicture013.jpg|frameless|border]]
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[[File:1910sRandombitsPicture014.jpg|frameless|border]]
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[[File:1900sHardcollars70982_18.jpg|frameless|border]]''
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[[File:1900sHardcollars70982_19.jpg|frameless|border]] Two photos of "Meyrick" a collar by Cluett, Peabody & Co., the Troy manufacturer of "Arrow" shirts. The view on the left shows the lock front in focus, the view at right shows the rear hole, manufacturers markings, and old laundry marks.''
 +
 +
Turn-of-the-Century collars can be found in a large number of variants on the basic styles of poke, wing, spread, and turndown (aka fold) collars. The most popular style of collar in 1900 was the "high-band" collar a turndown collar with a height of from 2 to 3 inches that encased the whole neck in a smooth glossy cylinder of starched linen. Uncomfortable as these are (turning the head suddenly causes bruises in the bottom of the jaw), they look marvelous, and they made up over 60% of the collar trade in the summer of 1900. The Haberdasher in August 1900noted that perfect rigidity could be maintained in a "high band" collar with a"lock-front":
 +
 +
==The lock-front==
 +
 +
collars, which were introduced by Earl and Wilson, continue to be the prevailing favorites. This lock-front band insures a fold collar that will sit precisely as it was designed to sit. There are no sagging points, or crooked over-lapping bands in the "E.& W." fold collars.
 +
 +
''
 +
 +
[[File:1900sHardcollars70982_08.jpg|frameless|border]]
 +
 +
[[File:1900sHardcollars70982_07.jpg|frameless|border]]Two photos of a woman's collar in my possession showing how a "lock front" collar works.
 +
 +
[[File:CollarpatternsPdf211ladysfloral.pdf|frameless|border|PDFPattern of this collar]] All detachable collars are held in place by removable metal collar buttons which come in front (long with a bead like end) and back (short with a flat end) varieties.
 +
 +
[[File:1900sHardcollars70982_04.jpg|frameless|border]] This illustration shows a packaged set of two shirt studs (on the sides) a back button with a hinged end (top) and a front button (bottom center).''
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''
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[[File:254images254photos1Studs1.jpg|frameless|border]]Chart of different types of studs''
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''
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[[File:254images254photos1Studs2.jpg|frameless|border]]three different heights of back collar studs''
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''
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[[File:254images254photos1Studs3.jpg|frameless|border]]a Back (left) and Front (right) collar stud''
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[[File:GalleryimagesCollarpatternsStuddiagram.jpg|frameless|border]]
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''
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[[File:254images254photos1Studs4.jpg|frameless|border]] Studs for the front openings of evening dress shirts.''
 +
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''
 +
 +
[[File:254images254photos1Studs5.jpg|frameless|border]]
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[[File:254images254photos1Studs6.jpg|frameless|border]]A Glass (left) and a mother of pearl (right) nurse's cap stud. These studs are too thick at the base and will damage collars.''
 +
 +
''
 +
 +
[[File:254images254photos1Studs7.jpg|frameless|border]]A row of metal (far left) and plastic (3 on right) studs made for holding a dress shirt front in place in the package. Using any of these but the far left one will have your collar constantly come undone.''
 +
 +
These collars were worn not only with matching white shirts, but also, more commonly, with shirts in a stunning variety of patterns and colors. While a writer for ''Men's Wear'' in 1900 reported on "QUIET COLORS IN SHIRTS," his notion of "quiet" was a relative term:
 +
 +
==There is==
 +
 +
a distinct change of style in colored shirts. Instead of the exceedingly loud combination of colors which have, it seems, had their run, the desirable and correct thing will be white ground, with medium figures of black, blue, heliotrope and some Hunter's green, and stripes of similar colors, also on white ground. The figures will be largely on the geometrical order, diamonds, single, double, and even in clusters...two and three colored clustered figures and stripes are produced with fine effect. Spots will not be popular only as an exception.
 +
 +
''
 +
 +
[[File:HistoryUafcollection70980_11.jpg|frameless|border]] salmon pink figured shirt in the '''
 +
 +
[[PagesCostumehistcollectUafcollection|UAF study collection.]]'
 +
 +
Colored, patterned, and striped shirts were so popular that smart New York dressers wore them with frock coats to the Horse Show, an event noted in the 1900's for it's sartorial splendor. The most popular colors in men's striped and patterned shirts in 1900 were light and dark blue, oxblood red, heliotrope(blue-purple), pink, and Hunter's green, a kind of olive color. However, color advertisements in Men's Wear and other magazines of the time also show figured shirts in red, peach, aqua, black, lilac, and in combinations of black and rose, red, blue and black, red and blue, light and dark blue, red and pink, and pink and black.
 +
 +
'''
 +
 +
[[File:1900sHardcollars13595_04.jpg|frameless|border]]'''Stand collars: on right 2 "poke" collars, on left two "wing" collars, at center a 2 piece celluloid and black cloth"clerical" collar.
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 +
==In 1901==
 +
 +
wing and poke collars became more popular, especially for evening wear. White shirts also gained in popularity,although colored and patterned shirts were still seen everywhere. 1902 saw the introduction of brown and sage-green to the repertoire of shirt colors, and ''Men's Wear'' reported that dark background colors were proving popular among patterned shirts for Fall.Someone also introduced a fold collar in 1902 with a slight spread, but this was denounced as dubious taste by people of high class, for whom spread collars signified laborers. For example, The Haberdasher suggested appropriate collars and shirts for different social occasions in their "Correct Dress Chart" for 1903: For formal evening functions (ladies present) the appropriate collars were "straight stander just meeting, lap front or poke" worn with a white shirt with a linen or pique boiled front and tails. Evening stag parties required a wing or fold collar and a plain or pleated white shirt and Tux. Business dress required a poke, wing or fold collar and a white or colored shirt, worn either with a cutaway or sack suit. Sportswear included a Norfolk jacket or a sack suit worn with a flannel or Madras shirt and a fold or wing collar. Sunday church-going demanded a frock or cutaway coat with a white shirt and awing, poke or fold collar. Nowhere does the chart consider spread collars appropriate.
 +
 +
'''
 +
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[[File:1900sHardcollars13595_09.jpg|frameless|border]]'''
 +
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[[File:1900sHardcollars13595_11.jpg|frameless|border]]Woman's Collar Box and hard collars
 +
 +
Click here to see more images of
 +
 +
[[History100pagesWomenscollars|women's collars]]
 +
 +
Women who wore "man-tailored" suits and shirtwaists also wore hard collars and neckties. A wonderful
 +
 +
[[OlddissertationThehaberdasher1902tiead|ad for Cutter and Crossette neckwear in 1902]] shows a modern couple in shirts, fold collars and neckties showing each other (in intimate proximity) their identical tie company labels as "his" arm steals around "her" shoulder. She wears a red spotted black tie with a white shirtwaist, and he wears a red tie with white figures with a bold red and white striped shirt. Both wear very high white fold collars with sharp corners.One of the satisfying things for women about collecting hard collars is that since most of them were made for men they survive in sizes that fit a normal, modern woman's neck. This makes them a perfect item for women who don't fit into the frequently tiny sizes of antique women's dresses. A modern copy of a shirtwaist is immeasurably dressed-up with the addition of a hard collar and tie. Men, of course, will have a harder time finding real period examples that fit.
 +
 +
[[File:1900sHardcollarsCatcollar.jpg|frameless|border]] A semi-soft high-band fold collar with a detachable 2-buttonpiece in front similar in shape to a homemade cufflink. This is probably one of the earliest button down collars made.
 +
 +
However, there are several
 +
 +
[[History100pagesCollarsnew| modern sources ]] for the kinds of collars and shirts worn in the 1900's.  sells neckband shirts in white and colored stripes for $45-50, and "linene" (cotton bonded to card stock) and "linex" (linen textured card stock) collars in an assortment of styles from the 19th and 20th centuries for $45 per 25. They also carry metal collar buttons (used to attach the collar to the shirt) and cufflinks. The Gibson-Lee collar company has been making card stock collars since the 1900's and continues to sell collars and shirts, mostly to theatre companies.
 +
 +
[[File:1900sHardcollars13595_05.jpg|frameless|border]]Paper and celluloid collars: Top-a pressed paper collar from the Turn-of-the-Century , so flimsy it's amazing it ever survived. Lower Right-a modern sturdy "Linene" collar from Gibson. Lower Left-celluloid collar from the Turn-of-the-Century.
 +
 +
Gibson has a "starter set" that includes a white or striped shirt and 10 assorted style collars to fit it for around $65. Those who sew can make a shirt using the Folkwear #202 Victorian Shirt pattern which has a bib front. It was popular during the first few years of this century to do the bib and cuffs in one pattern, and the center front placket and rest of the shirt in another pattern using the same color. These were considered "swell" items sold by better haberdashers to clients who took a real interest in dressing in the height of fashion.Hard collars continued to be popular through WW I, and even after, but the comfortable soft collared shirts worn in the trenches permanently impressed their wearers, so through the Twenties the public slowly learned to love spread collars, and discarded the iron-hard poke and highband fold one by one. By the 1930's the hard collar was only the preserve of older men and conservative dressers, except for the wing collar for formal and evening wear.
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'''
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[[File:1900sHardcollars13594_17.jpg|frameless|border]]'''
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[[File:1900sHardcollars13594_20.jpg|frameless|border]] soft collars
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---Tara Maginnis, Ph.D.
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 +
NOTES:
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==1==
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James Morske, "And It AllBegan With One Woman" in THE ARROW MAN: Collar City Chic (Troy: New York StateCouncil on the Arts, 1987) 5.
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==2==
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"Collar & CuffChat" in The Haberdasher v.32 #2 Aug 1900, 59.
 +
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==3==
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Strathmore, The New York Men'sFurnishers" in Men's Wear v.10 #1 11 Jly 1900, 28.
 +
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==4==
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"Correct Day DressChart" and "Correct Evening Dress Chart" in The Haberdasher v.37 #1,1 Jan 1903, 40-41.
 +
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'''To learn more about Hard collars go to the
 +
 +
[[History100pagesCollars|Collarpages]]'''
 +
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==Product Links==
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 +
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[[File:AmazonBooks4Shirtsandmenshaberdashery.jpg|frameless|border]][[File:AmazonBooks4Earlyvictorianmen.jpg|frameless|border]]
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[[File:AmazonBooksMenofcolor.gif|frameless|border]]
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[[File:AmazonBooksThemalebody.jpg|frameless|border]]
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[[File:AmazonBooksTheperfectablebody.gif|frameless|border]]
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[[File:AmazonBooksMensfashillustturn.gif|link=http://www.amazon.com/exec/obidos/ASIN/0486263533/thecostumersmani| Men's Fashion Illustrations from the Turn of the Century][[File:AmazonBooksTheatrefashoscarwilde.jpg|link=http://www.amazon.com/exec/obidos/ASIN/052149950X/thecostumersmani| Theatre and Fashion : Oscar Wilde to the Suffragettes]][[File:AmazonBooksFashionaccessories20thcentsourcebook.jpg|link=http://www.amazon.com/exec/obidos/ASIN/0500019975/thecostumersmani| Fashion Accessories: The Complete 20th Century Sourcebook]][[File:AmazonBooks85waystotyeties.jpg|link=http://www.amazon.com/exec/obidos/ASIN/0767906438/thecostumersmani| The 85 Ways to Tie a Tie : The Science and Aesthetics of Tie Knots]] [[File:AmazonBooksHats.gif|link=http://www.amazon.com/exec/obidos/ASIN/1556708874/thecostumersmani| Hats]] [[File:AmazonBooksThehiddenconsumer.jpg|link=http://www.amazon.com/exec/obidos/ASIN/0719047986/thecostumersmani| The Hidden Consumer : Masculinities, Fashion and City Life 1860-1914 (Studies in Design and Material Culture)]]
 +
 +
[http://www.amazon.com/exec/obidos/ASIN/0914046276/thecostumersmani Shirts& Men's Haberdashery : 1840s to 1920s]
 +
 +
[http://www.amazon.com/exec/obidos/ASIN/0914046284/thecostumersmani Early Victorian Men]
 +
 +
[http://www.amazon.com/exec/obidos/ASIN/1579651127/thecostumersmani  Men of Color : Fashion, History, Fundamentals]
 +
 +
[http://www.amazon.com/exec/obidos/ASIN/0374280657/thecostumersmani The Male Body : A New Look at Men in Public and Private]
 +
 +
[http://www.amazon.com/exec/obidos/ASIN/0826407870/thecostumersmani  The Perfectible Body : The Western Ideal of Male Physical Development]
 +
 +
[http://www.amazon.com/exec/obidos/ASIN/1859734154/thecostumersmani  Don We Now Our Gay Apparel : Gay Men's Dress in the Twentieth Century]
 +
 +
[http://www.amazon.com/exec/obidos/ASIN/0500017972/thecostumersmani The Man of Fashion: Peacock Males and Perfect Gentlemen]
 +
 +
[[File:AmazonBooks2Ahistoryofmensfashion.jpg|link=http://www.amazon.com/exec/obidos/ASIN/2080135368/thecostumersmani| A History of Men's Fashion]]  A History of Men's Fashion
 +
 +
[[File:AmazonVideoDancetime20thcent.gif|link=http://www.amazon.com/exec/obidos/ASIN/0966207416/thecostumersmani| Dancetime! 500 Years of Social Dance Vol II : 20th Century]]  Dancetime! 500 Years of Social Dance Vol II : 20th Century
 +
 +
[[File:AmazonOtherTuxedosuit.jpg|link=http://www.amazon.com/exec/obidos/tg/detail/-/B00007DYO0/thecostumersmani| Tuxedo Suit]]  Tuxedo Suit
 +
 +
[[File:AmazonOtherSignature28pleat.jpg|link=http://www.amazon.com/exec/obidos/tg/detail/-/B00006M3VS/thecostumersmani| Signature 28 Pleat Wing Collar Formal Shirt]]  Signature 28 Pleat Wing Collar Formal Shirt
 +
 +
[http://www.amazon.com/exec/obidos/tg/detail/-/B00006M00L/thecostumersmani  Formal Wing Collar Dress Shirt Big & Tall]
 +
 +
[[File:AmazonBooks2Dandies.jpg|link=http://www.amazon.com/exec/obidos/ASIN/0814726968/thecostumersmani| Dandies : Fashion and Finesse in Art and Culture]]  Dandies : Fashion and Finesse in Art and Culture
 +
 +
[http://www.victoriana.com/amazon/ Amazon Vinegar and Pickling Works Drygoods]

Revision as of 00:43, 5 March 2015

TURN-OF-THE-CENTURY DETACHABLE COLLARS by Tara Maginnis

Collecting vintage clothing can be an expensive habit, and storing, restoring and moving a collection of vintage clothing can take an inordinate amount of space, time and cash. However, there is one type of antique clothing that still takes only about a dollar or two to buy, rarely is in need of conservation work, and can be safely stored in a cookie tin. I refer of course to the detachable"hard" collars mass produced in the late Nineteenth and early Twentieth centuries.

1900sHardcollars13595 06.jpgMy Men's collar collection stored in a cookie tin

The detachable collar was first invented in 1827 at#139 3rd Street, Troy, NY, by Mrs. Hannah Lord Montague (1794-1878), a housewife who was having difficulties with her husband's "ring-around-the-collar." Her husband,Orlando Montague, showed-off his wife's invention to the guys around town, and soon all the wives of Troy embraced this new invention. Soon after, merchants followed suit, and manufactured collars in mass quantities for sale to the outside world.

Woodsheds

, garrets and store fronts became collar making places as teachers, farmers, carpenters, butchers and ironmongers were drawn to this new trade by its apparent simplicity: a table, a pair of scissors, a bolt of cloth and a spool of cotton was all that was necessary.

1900sHardcollars70982 11.jpg

1900sHardcollars70982 12.jpg Two views of an early separate collar(probably c.1850), with the closure in the back. This collar, although machine sewn,is only two thin layers of lawn, and could not have have held enough starch to be as stiff as late 19th & Early 20th Century models.

PDFPattern of this collar

Troy, New York, became "Collar City" to the rest of America, and went from a sleepy little upstate town to the center of American shirt and collar manufacturing.

1900sHardcollars13595 03.jpg 2 hard cuff sets

By 1897, twenty-five manufacturers in Troy were producing a total of eight million dozen collars and cuffs a year. Linen collars were offered in a breathtaking variety of styles and had become the status-symbol of the growing office-worker class (ie. "white collar" workers). Mail order catalogs like Sears-Roebuck, Montgomery-Ward, and Bloomingdale's sent detachable collars to every part of America, along with the often colorful collarless shirts with which they were worn. By the Turn-of-the-Century, nearly every man in America had his neck in the vise-like grip of a iron-hard starched linen detachable collar.

1900sHardcollars13595 02.jpg Fold collars

1910sRandombitsPicture013.jpg

1910sRandombitsPicture014.jpg

1900sHardcollars70982 18.jpg

1900sHardcollars70982 19.jpg Two photos of "Meyrick" a collar by Cluett, Peabody & Co., the Troy manufacturer of "Arrow" shirts. The view on the left shows the lock front in focus, the view at right shows the rear hole, manufacturers markings, and old laundry marks.

Turn-of-the-Century collars can be found in a large number of variants on the basic styles of poke, wing, spread, and turndown (aka fold) collars. The most popular style of collar in 1900 was the "high-band" collar a turndown collar with a height of from 2 to 3 inches that encased the whole neck in a smooth glossy cylinder of starched linen. Uncomfortable as these are (turning the head suddenly causes bruises in the bottom of the jaw), they look marvelous, and they made up over 60% of the collar trade in the summer of 1900. The Haberdasher in August 1900noted that perfect rigidity could be maintained in a "high band" collar with a"lock-front":

The lock-front

collars, which were introduced by Earl and Wilson, continue to be the prevailing favorites. This lock-front band insures a fold collar that will sit precisely as it was designed to sit. There are no sagging points, or crooked over-lapping bands in the "E.& W." fold collars.

1900sHardcollars70982 08.jpg

1900sHardcollars70982 07.jpgTwo photos of a woman's collar in my possession showing how a "lock front" collar works.

PDFPattern of this collar All detachable collars are held in place by removable metal collar buttons which come in front (long with a bead like end) and back (short with a flat end) varieties.

1900sHardcollars70982 04.jpg This illustration shows a packaged set of two shirt studs (on the sides) a back button with a hinged end (top) and a front button (bottom center).

254images254photos1Studs1.jpgChart of different types of studs

254images254photos1Studs2.jpgthree different heights of back collar studs

254images254photos1Studs3.jpga Back (left) and Front (right) collar stud

GalleryimagesCollarpatternsStuddiagram.jpg

254images254photos1Studs4.jpg Studs for the front openings of evening dress shirts.

254images254photos1Studs5.jpg

254images254photos1Studs6.jpgA Glass (left) and a mother of pearl (right) nurse's cap stud. These studs are too thick at the base and will damage collars.

254images254photos1Studs7.jpgA row of metal (far left) and plastic (3 on right) studs made for holding a dress shirt front in place in the package. Using any of these but the far left one will have your collar constantly come undone.

These collars were worn not only with matching white shirts, but also, more commonly, with shirts in a stunning variety of patterns and colors. While a writer for Men's Wear in 1900 reported on "QUIET COLORS IN SHIRTS," his notion of "quiet" was a relative term:

There is

a distinct change of style in colored shirts. Instead of the exceedingly loud combination of colors which have, it seems, had their run, the desirable and correct thing will be white ground, with medium figures of black, blue, heliotrope and some Hunter's green, and stripes of similar colors, also on white ground. The figures will be largely on the geometrical order, diamonds, single, double, and even in clusters...two and three colored clustered figures and stripes are produced with fine effect. Spots will not be popular only as an exception.

HistoryUafcollection70980 11.jpg salmon pink figured shirt in the

UAF study collection.'

Colored, patterned, and striped shirts were so popular that smart New York dressers wore them with frock coats to the Horse Show, an event noted in the 1900's for it's sartorial splendor. The most popular colors in men's striped and patterned shirts in 1900 were light and dark blue, oxblood red, heliotrope(blue-purple), pink, and Hunter's green, a kind of olive color. However, color advertisements in Men's Wear and other magazines of the time also show figured shirts in red, peach, aqua, black, lilac, and in combinations of black and rose, red, blue and black, red and blue, light and dark blue, red and pink, and pink and black.

1900sHardcollars13595 04.jpgStand collars: on right 2 "poke" collars, on left two "wing" collars, at center a 2 piece celluloid and black cloth"clerical" collar.

In 1901

wing and poke collars became more popular, especially for evening wear. White shirts also gained in popularity,although colored and patterned shirts were still seen everywhere. 1902 saw the introduction of brown and sage-green to the repertoire of shirt colors, and Men's Wear reported that dark background colors were proving popular among patterned shirts for Fall.Someone also introduced a fold collar in 1902 with a slight spread, but this was denounced as dubious taste by people of high class, for whom spread collars signified laborers. For example, The Haberdasher suggested appropriate collars and shirts for different social occasions in their "Correct Dress Chart" for 1903: For formal evening functions (ladies present) the appropriate collars were "straight stander just meeting, lap front or poke" worn with a white shirt with a linen or pique boiled front and tails. Evening stag parties required a wing or fold collar and a plain or pleated white shirt and Tux. Business dress required a poke, wing or fold collar and a white or colored shirt, worn either with a cutaway or sack suit. Sportswear included a Norfolk jacket or a sack suit worn with a flannel or Madras shirt and a fold or wing collar. Sunday church-going demanded a frock or cutaway coat with a white shirt and awing, poke or fold collar. Nowhere does the chart consider spread collars appropriate.

1900sHardcollars13595 09.jpg

1900sHardcollars13595 11.jpgWoman's Collar Box and hard collars

Click here to see more images of

women's collars

Women who wore "man-tailored" suits and shirtwaists also wore hard collars and neckties. A wonderful

ad for Cutter and Crossette neckwear in 1902 shows a modern couple in shirts, fold collars and neckties showing each other (in intimate proximity) their identical tie company labels as "his" arm steals around "her" shoulder. She wears a red spotted black tie with a white shirtwaist, and he wears a red tie with white figures with a bold red and white striped shirt. Both wear very high white fold collars with sharp corners.One of the satisfying things for women about collecting hard collars is that since most of them were made for men they survive in sizes that fit a normal, modern woman's neck. This makes them a perfect item for women who don't fit into the frequently tiny sizes of antique women's dresses. A modern copy of a shirtwaist is immeasurably dressed-up with the addition of a hard collar and tie. Men, of course, will have a harder time finding real period examples that fit.

1900sHardcollarsCatcollar.jpg A semi-soft high-band fold collar with a detachable 2-buttonpiece in front similar in shape to a homemade cufflink. This is probably one of the earliest button down collars made.

However, there are several

modern sources for the kinds of collars and shirts worn in the 1900's. sells neckband shirts in white and colored stripes for $45-50, and "linene" (cotton bonded to card stock) and "linex" (linen textured card stock) collars in an assortment of styles from the 19th and 20th centuries for $45 per 25. They also carry metal collar buttons (used to attach the collar to the shirt) and cufflinks. The Gibson-Lee collar company has been making card stock collars since the 1900's and continues to sell collars and shirts, mostly to theatre companies.

1900sHardcollars13595 05.jpgPaper and celluloid collars: Top-a pressed paper collar from the Turn-of-the-Century , so flimsy it's amazing it ever survived. Lower Right-a modern sturdy "Linene" collar from Gibson. Lower Left-celluloid collar from the Turn-of-the-Century.

Gibson has a "starter set" that includes a white or striped shirt and 10 assorted style collars to fit it for around $65. Those who sew can make a shirt using the Folkwear #202 Victorian Shirt pattern which has a bib front. It was popular during the first few years of this century to do the bib and cuffs in one pattern, and the center front placket and rest of the shirt in another pattern using the same color. These were considered "swell" items sold by better haberdashers to clients who took a real interest in dressing in the height of fashion.Hard collars continued to be popular through WW I, and even after, but the comfortable soft collared shirts worn in the trenches permanently impressed their wearers, so through the Twenties the public slowly learned to love spread collars, and discarded the iron-hard poke and highband fold one by one. By the 1930's the hard collar was only the preserve of older men and conservative dressers, except for the wing collar for formal and evening wear.

1900sHardcollars13594 17.jpg

1900sHardcollars13594 20.jpg soft collars

---Tara Maginnis, Ph.D.

NOTES:

1

James Morske, "And It AllBegan With One Woman" in THE ARROW MAN: Collar City Chic (Troy: New York StateCouncil on the Arts, 1987) 5.

2

"Collar & CuffChat" in The Haberdasher v.32 #2 Aug 1900, 59.

3

Strathmore, The New York Men'sFurnishers" in Men's Wear v.10 #1 11 Jly 1900, 28.

4

"Correct Day DressChart" and "Correct Evening Dress Chart" in The Haberdasher v.37 #1,1 Jan 1903, 40-41.

To learn more about Hard collars go to the

Collarpages

Product Links

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Shirts& Men's Haberdashery : 1840s to 1920s

Early Victorian Men

Men of Color : Fashion, History, Fundamentals

The Male Body : A New Look at Men in Public and Private

The Perfectible Body : The Western Ideal of Male Physical Development

Don We Now Our Gay Apparel : Gay Men's Dress in the Twentieth Century

The Man of Fashion: Peacock Males and Perfect Gentlemen

A History of Men's Fashion A History of Men's Fashion

Dancetime! 500 Years of Social Dance Vol II : 20th Century Dancetime! 500 Years of Social Dance Vol II : 20th Century

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Dandies : Fashion and Finesse in Art and Culture Dandies : Fashion and Finesse in Art and Culture

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