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Costume Cutting Portfolio of Tara Maginnis

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Tara's Cutting Portfolio

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Here are some selections of cutting work have done, mainly on other people's shows. Recently I've only cut shows of my own, so I don't have photos of more recent work.

PortfolioCutting92871 01.jpgMe, draping a mock-up of the stretchable dance costumes for Behind The Painted Grin, made out of non-stretchable material, 1985. The PDT Choreographer, Liz Fuentes Rosner, wanted dance unitards made out of cheap non-stretch silk satin to facilitate slides on a Marly dance floor, and asked me to design a pattern that could stretch without tearing. The silk is gathered onto 1/4" elastic at the side, arm and leg/crotch seams.

PortfolioCutting92871 07.jpgDesign by Madeline Keeling for a break-away evening dress for Ring Round the Moon, 1984, CSU Fresno.

PortfolioCutting92871 12.jpg The break-away dress I cut, in action, getting "torn" on stage.

PortfolioCutting92871 17.jpgDesign by Madelyn Keeling for CSU Fresno's Ring Round the Moon, 1984. Lady India's between the leg harem skirt.

PortfolioCutting92871 22.jpgThe actual costume, which I cut.

PortfolioCutting92870 18.jpg Design by C.Neil Vipperman for Six Characters in Search of an Author, University of Georgia, 1986.

PortfolioCutting92870 17.jpg The costume as cut and sewn by me.

PortfolioCutting92871 00.jpg C. Neil Vipperman, in a costume designed by Sylvia Hillyard for The Pirates of Penzance, UGA, 1996. Costume cut and sewn by me.

PortfolioCutting92871 18.jpgCostume designed by Sylvia Hillyard for The Pirates of Penzance, UGA, 1996. Costume cut and sewn by me.

PortfolioCutting92871 13.jpgCostumes designed by ? for UGA's A Doll's House, 1985, cut by me.

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"The Costumer's Manifesto"
by Tara Maginnis